Made by Rohan Hande (Collage Artist and Photographer, Mumbai)
Image Description: A grainy black background with an off-white circular phenakistoscope (pinwheel) disc in the centre. On the pinwheel disc, small circular gearwheels/film-like reels are placed along the radius, like spokes of a wheel. The gearwheels/reels are connected to each another (in a way that one gearwheel moves only when the other moves). Along the centre of the pinwheel disc is a vertical strip of a rainbow colour spectrum. A camera lens is placed at the centre of this strip, and instead of the lens iris, we see the iris of an eye. The words ‘We Make Film’ (in yellow) are placed along the curved top of the pinwheel disc, and the following film credits are written horizontally below:
Written and Directed by Shweta Ghosh
Assistant Direction: Priyanka Pal
Content Collaborators: Anuja Sankhe, Debopriya Ghosh & Mijo Jose
Cinematography: Sumit Singh and Shweta Ghosh
Sound Recording: Sumit Singh
Synopsis: At a time when anyone with a digital video device can make a film, anyone who wants to make a film should be able to make one.
But what happens when you’re assumed as incapable or ‘difficult’ to work with? What happens if you need adjustments to make equipment or film sets accessible? And what if you’ve shunned the thought of a career in filmmaking, because the best film school in the country doesn’t accommodate your access needs?
Set in contemporary urban India, We Make Film explores the creative journeys of three d/Deaf and disabled film/video-makers – Debopriya Ghosh, Mijo Jose and Anuja Sankhe. The film highlights the (in)accessibility of film and video technology, the barriers to film consumption and education for d/Deaf and disabled filmmakers in India, and the ways in which the protagonists articulate their creative vision. These stories of struggle and innovation are documented via workshops initiated by the researcher-filmmaker, Shweta Ghosh, in summer 2018. Developed collaboratively with each protagonist-filmmaker, these workshops aimed at writing short film scripts based on their experiences with filmmaking and creativity.
As the film chugs along documenting each workshop and protagonist’s story, it begins to unveil their passion for the moving image as a medium of expression, their creative approaches and career aspirations. During the collaborative process, Shweta also begins to reflect on her personal experiences with disability and filmmaking. Shweta’s exploration reveals the ways in which her and other nondisabled filmmakers’ films and creative processes have so far assumed a nondisabled audience and crew, and she eventually begins to contemplate ideas of ally-ship and collaboration to pave way for an inclusive creative future for all.
Through a convergence of the four filmmakers’ exploratory journeys, We Make Film attempts to build a conversation on the filmmaking process and product, highlighting the ways in which film audiences, filmmakers and film technology focus on dominant able-bodied perspectives, and what this means for creative expression by Deaf and disabled communities.
Contact the director to back the impact phase of this film today, and help share the Deaf/disabled filmmakers’ stories with the world. Share this project with your family and friends, Like the film on Facebook, Follow it on Twitter and Instagram to stay up to date with updates on the film and research project.
Ph.D. (film practice research) Project – 2016-2021
Title: We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India
Dept. of Film, Theatre & Television, University of Reading, UK
This PhD research project commenced in 2016, and explores filmmaking and creative expression by people with disabilities in India. It examines the current contexts of film and video practice by people with disabilities and the reasons for their limited participation in media making. The research aims to find and support existing innovative filmmaking practices, with a final aim to identify opportunities and develop pathways for inclusive avenues for filmmakers with disabilities in India.
The employment of People with Disabilities (PwDs) in the media industry is significantly under-researched at a global scale (Ellis 2016). In India too, significant scholarly contribution on disability and media has centred around on-screen representation but not on production contexts and practices.
The United Nations Convention on the Rights of Persons with Disabilities is the product of a landmark convention to “promote, protect and ensure the full and equal enjoyment of all human rights and fundamental freedoms by all persons with disabilities, and to promote respect for their inherent dignity.” It came into force in 2006, and India became a signatory in 2007. Among other rights to life and liberty, equality, diversity and accessibility, it also guarantees the right to creative and artistic expression. India, however, has done little to support its disabled citizens as creative contributors to society. Art and media expression by PwDs have been considered for recreation and therapy but not as viable career options.
One would expect that the launch of the ‘Accessible India’ and ‘Digital India’ campaigns, and the new Rights of Persons with Disabilities Act 2016 in India, would result in a more progressive outlook. However, problematic words such as ‘divyang‘ (implying divine body) have been adopted as formal nomenclature for people with disabilities. The technological boom has promoted a reductive form of embracing technology rather than more meaningful engagement. Assistive devices have been distributed as ‘freebies’ at high-profile events, but have been taxed via the recently introduced Goods and Services Tax.
In such a context, it is more important than ever for everyone to contribute to ongoing debates that counter the regressive narrative. Media participation by PwDs is an excellent way forward for grassroots social change, and this film project works within such a participatory framework.
Themes & Questions
This study understands FwDs’ creative work as a product of the filmmakers’ contexts of impairment, socio-cultural experience and environmental factors. It seeks to examine issues of technological and physical inaccessibility and the social and economic factors that determine PwDs’ access to film experience and film training. It also explores if and how ways of seeing, hearing and making film may be related to the embodied and cultural experience of disability. This research therefore aims to explore diversities in filmmaking techniques and aesthetic that could enrich debates and practices within the larger discipline; however, it does not seek to establish causal relationships.
- Phase 1: Literature & Film Review; Participant Selection; Preliminary Interviews: Completed (July-August 2017)
- Phase 2: Documentary Film Production; Data Collection; Personal Interviews: Completed (April-June 2018)
- Phase 3: Documentary Film Edit; Data Analysis and Thesis Writing; Animation, Video and Sound Post Production: Completed (August 2018 – April 2021)
- Film Accessibility – Subtitling, Captioning and Audio Description (English, Hindi and Indian sign language): Ongoing
- Phase 4: Documentary Release and Research Impact (Screenings, Discussions, Workshops and Talks): Ongoing (November 2021 – December 2023)
This research adopts a multi-methodological, interdisciplinary approach. It uses a mix of visual ethnography interview techniques, participatory research and film production to explore its research questions.
This project intends to make an impact on making creative avenues available to PwDs in India in the near future, while enriching global perspectives on film expression and inclusive practice. The research will culminate in a documentary film (We Make Film) and a written thesis.
Through the production process and screenings of the film, the project intends to garner national and international interest and eventually organise an advisory group based in India. This will consist of diverse stakeholders and work towards a policy engagement pathway in India. The aim will be to create future inclusive opportunities for people with disabilities in audio-visual media production, to connect collaborators across abilities, and to contribute to the currently topical discussions on diversity and filmmaking in the world from disability and global south perspectives.
Follow research updates here.